A couple of months ago I saw the movie, 500 Days of Summer. From the previews it seems like a romantic comedy, but when you see it it's far from that. Mostly about the man character being rejected by Summer and not being able to process his emotions.
Last night I watched the movie Good Dick. When this film came out and interviews were done, the cast basically said it was about what the title said. But it's also far from that. The main character stalks a shut in woman and forces his way into her life. She doesn't want him, but he is obsessed with changing her.
Even with films like Medicine for Melancholy where the two leads are inimate but can't seem to get on the same page. We watch their dysfunction expecting the outcome to be happy. Not exactly.
So I see this trend in pulling away, and rejecting people. I assumed the writers were just writing about their experiences (as is made clear with 500 Days) but is the new 'He's just not that into you' the new norm?
Is romance passe' ? Or is it much more affirming to watch people struggling with rejection so we don't feel like such losers?
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well, suffice to say the multi-plex wont be showing any Barbara Streisand or Fred Austere movies, but that writer (behind "The Notebook" and "Dear John") seems to be getting a lot of acclaim. This is a question I don't have a clear answer to.
I'm not sure who said it, but I heard this quote, something like- "the only real romance... is a love un-fulfilled."
plus i doubt anything will ever really live up to that hollywood ideal of "romance!!"
which reminds me: Wim Wender's Paris, Texas ... is all about that type of FAILED romance except it's years later and with existing kids involved. really highlights that for some folks that IDEA of love and the other person is really an f'd up way to be in a relationship and it is, ultimately, unsustainable despite the objectified person in the relationship being in love w/ the person w/ the unrealistic ideals in their head. It's a really interesting form of love and rejection.
OH... and nevermind Shakespear, right? lol. rejection, tragedy, inversion of romance... etc. even the greeks did it, right?
with all the sick fantasies rolling around as the norm how is anyone ever to get a handle on what's real and tangible?
LesYpersound said:plus i doubt anything will ever really live up to that hollywood ideal of "romance!!"
which reminds me: Wim Wender's Paris, Texas ... is all about that type of FAILED romance except it's years later and with existing kids involved. really highlights that for some folks that IDEA of love and the other person is really an f'd up way to be in a relationship and it is, ultimately, unsustainable despite the objectified person in the relationship being in love w/ the person w/ the unrealistic ideals in their head. It's a really interesting form of love and rejection.
OH... and nevermind Shakespear, right? lol. rejection, tragedy, inversion of romance... etc. even the greeks did it, right?
Eh to get you some insight into my weird little part of the world... I know I think two ppl, one who is a very, very close friend who is basically going to be in an arranged marriage and it's all practical and with the belief that love will soon follow. I don't doubt this, but it's fairly common w/ folks who are very religious (yes including christians)...
I think most folk have the idea of FALLING in love... like love at first sight and the working relationship coming naturally or something. Animal magnetism. Lust, desire, longing forever and ever, etc.
Maybe this trend you are picking out is just a round of bursting ppl's bubbles. Rejecting idealism...etc.
Except when it comes to love, I kind of like Milan Kundera's The Unbearable Lightness of Being... it has that completely irrational kind of love that "just happened" and neither one of them can explain when keeps them together--especially Tomas. It's a thinking person's insight into the love thing. Very cool book. It has a whole lot of rejection and confusion in it too. :] And his conception of love, at least for Tomas' wife is really about being ready to love and making it work--but w/ Tomas it's hard to judge... haha, it was just the right time, maybe? But Kundera and his characters never really accept the idea that it's fate or some b.s..
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